Heavy Rain is, undoubtedly, one of our most anticipated games of next year. However, like I stated so many times, fans need something for waiting so long, and for Heavy Rain being delayed so many times.

With that said, Quantic Dream head, David Cage, told G4 that “[they're] currently working on a demo” for Heavy Rain, and that “finding one scene that can convey what we are trying to achieve with Heavy Rain is something really difficult.”

“If we show an action scene, some players will think that this is what Heavy Rain is all about, and it is the same thing if we show an exploration scene,” he continued to tell G4. “The problem is that each scene of the game offers contextual game play, which is something very difficult to explain and convey in a single demo. Demos are often a double-edge thing: if you don’t release one, players may think that you have something to hide.”

As for a release date for the demo, it’s still unknown. But, here’s a question. Why don’t they just use the E3 demo? Heavy Rain is scheduled to launch early in 2010, exclusively for the PS3.

Activision revealed today that Blur, the company’s highly anticipated foray into the racing genre, is now scheduled to ship in 2010. Stating that they’re moving Blur from 2009 to give the development team at Bizarre Creations more time to enhance the game’s online multiplayer gameplay component.

“We are committed to making Blur a great new racing franchise, and we are very encouraged by the game’s design,” stated Mike Griffith, President and CEO, Activision Publishing. “The additional time will allow the studio to fully optimize the vision they set out to create for Blur including a distinctive and groundbreaking multiplayer mode that will appeal to a broad audience.” Blur is now scheduled to release sometime in 2010.

With the recent re-configuration of Splinter Cell: Conviction, Ubisoft needed more time to make things prefect. According to Ubisoft’s Production Manager, they gave it time by using Assassin’s Creed as a way to make money, and to continue with the games development.

“Because actually we felt that the game wasn’t well received [at Ubidays] and some of the critics were actually saying that we were missing the gameplay, when we started having maybe a bit of trouble bringing back the core gameplay, and we saw the success that Assassin’s was going to have, Ubisoft made the decision to say, ‘look guys, take the time you need to do this game, we’ve got someone bringing in the money for the next year so we’re okay, we won’t ship a game that’s not good, so go ahead and take the time to do it’,” said Andréane Meunier to Eurogamer.

“That took the pressure off us and allowed us to rework the core values that we wanted to bring out,” he continued.

I don’t know that much about fighting games, mainly because I grow up in household filled with shooter enthusiasts, but I know for a fact that The King of Fighters series has been around for along time. So long that, if I recall, KOF series played key part as the counter to the popular Street Fighter series. However, over the recent years, The King of Fighters series has lost some of its momentum, make that all of its momentum. Fortunately, The King of Fighters XII doesn’t disappoint.

Boasting a total of 22 fighters, this King of Fighters title is a radical departure from past titles. If you played previous KOF titles, you’ll know that there’s a large amount of fighters normally featured in a game of its kind, but this installment doesn’t have a large group of fighters. The main reason being, for such a low fighter count, is the amount of time the developers spent making a fighter – because all the fighters have been drawn by hand. But, SNK, the developers, have already stated that they’ll be working on more characters as DLC. However, compared with some of the other fighting titles out there, this isn’t a bad turn out.

This hand-drawn style took a lot of man power to create. So much, in fact. That SNK had to set aside a complete team to do the visuals. By doing this, SNK insured very detailed environments and characters. But, as you can tell, this style has a questionable side to it. One, obviously, being the time it takes to create one character. However, as I stated, this is a very good turn out for any fighting game today. Another thing about the characters in the game, KOFXII features a list with character that were in the early titles in the series, this was done with the plan to please fans of the series. And it works.

Speaking of visuals, The King of Fighters XII is absolutely gorgeous – thanks in collaboration to hand-drawn visuals – the game is smooth and stunning. Basically, making up for the series’ lowest franchise count, which, for a fighting title these days, isn’t a bad turn out. However, the key issue with the characters is pixilation. As you can tell, this hand-drawn style is meant for modern day arcades, and it doesn’t play out so will on consoles. Luckily, SNK realized this and added three selectable levels of character filtering options. These filters blur the still-pixilated models making them easier to look at in high-res. But, one can only wonder why KOFXII’s sprites weren’t featured in HD. But, The King of Fighter XII finds all of its triumphs in its combat.

Losing Tactical Shift, the game introduces a Critical Counter and Clash mechanic. Critical Counter mechanics is activated when one player counters an attack with a heavy punch or kick, giving the player that activated it a small window to preform a damaging combo. Along with that, the Clash system works like this, when both fighters strike simultaneously with the same attack, the game breaks the characters up. Anyway, the reactions made by both systems are very enjoyable and entertaining. These aspects are what make the game entertaining and, like I stated, this is were The King of Fighters XII finds its triumph. That and its control scheme.

Closing Statement:

The King of Fighters XII is a mixture of both pain and pleasure. The pain being some of the very poor presentation chooses, like the repetitive menu music, boring menu screens, and a barely functional online component. The pleasure being the awesome gameplay, which is the core of the game making put for almost everything. However, when you put aside all the pains, in which I didn’t list all, you’ll find a true to the heart fighting title. But, because you have to put aside so many mistakes, this game is bitter sweet but it doesn’t disappoint at its core.

Score: B-

Note: To view the box-art click the link below (after video).

The box art for the highly anticipated title, Tom Clancy’s Splinter Cell: Conviction, was released yesterday, as well as the information that will be located on the back of the retail box.

The back of the box reads:

You are a fugitive, ruthlessly hunted by the very government you used to serve. Your only choice is to improvise to survive. Experience original gameplay based on improvisation in which your environment is your top weapon. Always on your toes, you need to react on the fly to any changing situations and use the environment and the crowds around you to create diversions and deter your enemies.

As a fugitive, quick thinking and adaptation are essential to turn the situation to your advantage. A gameplay experience delivering 100% adrenaline includes close combat and shooting sequences. To survive, build an underground network of allies who will help you obtain high-tech gadgets and stay one step ahead of your pursuers as you struggle to unmask the forces that frame you.

[Box-art and Details via Game-Debate]

I’m amazed by the potential this game had: the ability to advance the third-person cover-shooter genre, and the possibility of being one of the few great movie games out there. However, thanks to the marks of a rushed project, it couldn’t really expand beyond the movie game status quo. I mean, the movie itself was amazing: it had everything you could possibility want from a Terminator movie along with a overload of explosions. So wouldn’t you expect that from the game?

Terminator Salvation follows the story of John Connor as he receives a distress call from a resistance member trapped within Skynet territory. But instead of leaving with his team, Connor decides to go on a rescue. Sadly, the game doesn’t produce any insight or unexpected twists into John Connor or the formation of the resistance, which could have been interesting. Instead, you do get the chance to meet up with characters featured in the movie, but, really, who’s that interested in meeting Common’s character?

There really isn’t anything here to call this a game. It feels as if some portions have been painfully edited out. And there isn’t that cinematic punch that’s normally featured with games like this. There’s a scene within the game where an HK (Human Killer Tank) cashes into a building – sounds cool doesn’t it? But, sadly, there’s isn’t that explosive feeling. It just feels bland.

Terminator Salvation gains all of its controls from other games, such as GRIN’s recently released Wanted title. However, its cover system is more like a half-circle-shaped thing, flipped upside, and cut into five different sectors. By hitting one of these sectors, you move into a that selected position. It’s a unique and original way of creating a cover system, and works well when you add it into combat – which, thanks to this system, is very intense.

The visuals are strong, but it’s too bad there isn’t much to look at. Salvation takes place within a post-apocalyptic Los Angeles, so everything is destroyed, and the game doesn’t have that beautiful feel to the environments. Everything is washed-out and grey. I don’t know about you, but I like the environments within a game to have a pop to them.

The enemy AI is tough and follows the same logical attack patterns. This isn’t a good thing. When I was playing through this game on the lowest difficulty setting, it sometimes took me over five minutes to take out a squad of “spiders” – these are the enemies that can only be takien out from behind. This isn’t a gameplay problem. It’s an AI problem because they always have an eye on you, even if you’re behind cover. This passes by more easily if you play co-operatively with a friend, but that just makes a short game go by even faster.

Closing Statement:

Salvation seems to be a victim of time. There’s really isn’t anything here to call it a game. So I’ll have to tell you to pass on buying this title – instead, you should head out and rent it for the achievements or trophies because this game isn’t a long-term commitment. This game feels like a $30 title, and a rushed one at that.

Score: C+

Beside reports stating that the game is an on going discussion, during the Microsoft keynote, Microsoft unveiled Crackdown 2 via a trailer.

Coming exclusively to Xbox 360 in 2010, Crackdown 2 will take multiplayer2 gaming to unprecedented levels for the ultimate cooperative and competitive multiplayer experience, providing you and your friends with the complete freedom to explore, destroy and play as you return to restore justice and peace to Pacific City — by any means necessary.

The God of War, Kratos, is back for an extended view of the trailer that we got viewed at back at last years VGAs. The trailer looks absolutely amazing, but be warned you may be blown away, if not, let us know!

A Sony rep has confirmed that the trailer is live action, meaning that it was taken from actual gameplay. But, franchise fans will notice the absence of some signature elements; enemies here aren’t dropping light orbs, the person playing the game isn’t being given on-screen button prompt when he – or she - goes in for the gory mini-boss kills. Lucky, Sony has confirmed to us that those elements were removed from the trailer for presentation purposes.

In collaboration of the return of Matt Hazard, D3Publisher has revealed Eat Lead: The Return of Matt Hazard to us in the form of a video game media bomb-shell. Revealing some new gameplay videos, new screenshots (which are linked), and the official box-art for the game.

“Eat Lead parodies some of our fondest memories in classic gaming and pop culture, so gamers will have a laugh out loud experience every time they pick-up the controller,” said, Pete Andrew, vice president, product development, North America, D3P. “With an original storyline, Eat Lead perfectly blends action and humour with rock solid gameplay for an experience like no other.”

Do you want more Viewtiful Joe video games? Well do ya? According to Christian Svensson, Capcom’s Corporate Officer, Capcom is up on the idea of another Viewtiful Joe video game. That’s, of course, if the if potential is recognized, or so says information given to the people over a Nintendo Everything.

“There’s no ‘percentage chance’ that I could give you [Viewtiful Joe this generation] that would at all be accurate. If it strikes someone of influence (a producer of note, Inafune, Takeuchi, perhaps even me) that it’s something that has potential (both gameplay and sales) then it could happen. If not, it won’t. I can’t predict who might or might not see that potential.”-Christian Svensson

A member of the game Maxconsole forum has posted mobile phone videos of the in-game XMB in action. There is one showing the in-game XMB being used from a game title screen and one showing it being used during gameplay. The forum member also post some pictures of trophies. The videos and shots were taken from test kits.